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Ashley Choi, Arts and Entertainment Editor
• January 5, 2023

Andor: Star Wars Shines in a New Way
Joshua Mui, Staff writer
• January 5, 2023

The “Whitewashing” of DDLJ
Divjot Kaur, Staff Writer
• January 5, 2023

The Met Gala: Complaints, Controversy and Change
Ashley Choi, Arts & Entertainment Editor
• October 19, 2022

Are We Dreaming? Behind the Mask of YouTube Sensation “Dream”
Divjot Kaur, Resident Artist
• October 19, 2022

The Class of ’23 & Music Production
Ankita Jaikumar, Arts & Entertainment Staff Writer
• October 19, 2022

ATL: Ambitions, Challenges and Balance
Ashley Choi, Arts & Entertainment Editor
• September 13, 2022

Never Have I Ever Seen a Brown Girl on TV
Ankita Jaikumar, Arts and Entertainment Staff Writer
• September 11, 2022

Should “Inventing Anna” Even Have Been Invented?
Amanda Pelay, Arts and Entertainment
• April 19, 2022

“7220 Reloaded”: Album Review
Nathan Kim, Arts and Entertainment Staff
• April 13, 2022

“Ivory”: Omar Apollo’s Debut Album
Jimena Ruano, Editor-in-Chief
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Wallow’s New Album: “Tell Me That It’s Over”
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